Bodies in cinema can be enticing, dancing or brutalised. Jane Fonda narrates this chapter about how the great directors – including Agnes Varda, Andrea Arnold, Iran's Marva Nabili, Finland's Pirjo Honkasalo, Marta Meszaros and Poland's Wanda Jakubowska – have filmed bodies. From bodies to sex – the most controversial aspect of film. In this chapter Diane Kurys, Lucile Hadzihalilovic, Jamie Babbit, Safi Faye, Athena Rachel Tsangari, Alison DeVere, Carine Adler, Donna Deitch, Miranda July, Lucia Puenzo, Maren Ade, Chantal Akerman and others show the best ways of showing sex on screen.

Refuge, shelter, or prison? Sharmila Tagore narrates the story of home on screen in the great films of Edith Carlmar, Lynne Ramsay, Mai Zetterling, Liu Jiay-in, Forough Farrokhzad, Antonia Bird and others. Narrator Sharmila Tagore takes us on a global tour of great films about religion. We start in America in the 1910s, go to Sri Lanka in the 70s, and dip into the work of Lucretia Martel, Jessica Hausner and Marjane Satrapi. Work seems too unglamorous for cinema, but as narrator Jane Fonda tells us, in films like AMERICAN HONEY, the silent Russian masterpiece WOMEN OF RYAZAN, Venezuela's ARAYA, Patty Jenkins' MONSTER and Mary Harron's AMERICAN PSYCHO, some of the most engrossing scenes show work.

Another aspect of everyday life. From silent cinema to the 21st Century, movies from the visually astonishing THE ENCHANTED DESNA to DIVORCE IRANIAN STYLE to Bigelow's STRANGE DAYS have gained their energy and attack from their politics. We like to be taken by surprise in films. This short chapter, narrated by Sharmila Tagore, looks at such surprises. Is comedy universal? Who have been the great comedy filmmakers around the world? Narrator Sharmila Tagore talks us through scenes from BIG with Tom Hanks, Ida Lupino's THE TROUBLE WITH ANGELS, the great movies of Elaine May, the classic Norwegian comedy FOOLS ON THE HILL, and more.