Tawaraya Sotatsu, who emerged from Kyoto's merchant class, was one pioneer of the Rimpa School in the early Edo Period, and Ogata Korin consolidated it in the mid-Edo Period. The school is not hereditary but is propagated by artists, who admire Sotatsu and Korin, and follow their styles. Rimpa is characterized by a notable use of space; abstract, vibrant designs; and creative playfulness. The works of Kyoto-based Nihonga artists continue the Rimpa style 400 years after its inception.

Kyoto has long-been a leading bamboo-growing region. Bamboo was considered holy in ancient times for its strong vitality. It is used at shrines and palaces as the barrier between the sacred and secular worlds. Gagaku music for the deities is played on bamboo instruments. Since Heian times, this durable, pliable material was important in the development of Japanese architecture in Kyoto, such as garden gates and fences. Bamboo also appears in various capacities in the diet and clothing of Kyoto.

Kyo-yuzen fabric has distinct patterns and splendid, delicate colors. Kyo-yuzen dyed kimono brighten special occasions in Kyoto. A lady takes extra care of her grandmother's kimono that is filled with joyous memories. An established wholesaler and its skilled artisans resolutely provide the ultimate in kyo-yuzen. An artist, whose one aim is to make women shine beautifully, breathes life into kyo-yuzen. Admire the beauty of Kyoto attire through kyo-yuzen, nurtured by a refined eye for beauty.