The origin of Aoi Matsuri, one of Kyoto's 3 great festivals, goes back more than 1,400 years. Diviners advised the people to ride horses in prayer for bumper crops and to appease the Kamo deities, who were causing storms and floods. Emperors thereafter paid homage to Shimogamo Jinja and Kamigamo Jinja, and solemnly performed these now-ancient rituals that are reminiscent of the dynastic culture. Aoi Matsuri, its splendid parade and rare customs are full of mystery, even for Japanese.

Sen-no-Rikyu (1522-1591) began the chanoyu, or tea ceremony, that is practiced today, 400 years ago. His simple, rustic wabi philosophy is still discernable in the designs, movements and mindset. In Uji, Kyoto, the year's first shoots from shaded tea plants are ground into a fine powder to make the koicha tea used in the ceremonies. Artisans use time-honored methods to craft the chanoyu utensils. People immerse themselves in this art in which each bowl of tea is considered a once in a lifetime encounter.

Gion Matsuri began as a prayer for the country's health when 66 halberds were erected and 3 mikoshi shrines were paraded through plague-ravaged Heian-kyo in 869. The 33 yamahoko floats in today's climactic procession on July 17 are "moving museums". Revived in 1952, the Kikusui-hoko float was adorned this year with a new tapestry in gratitude to the ancestors. The festival music is traditionally taught orally. The floats are assembled with age-old technics. The streets are alive with revelry on the eve of the parade.